composer work source notes
ARNELL Richard * Siciliana and Furiante for piano op.8 (1940) 1956 list, 1951 list f.Brit.p. Kyla Greenbaum, BBC 19 Sep 1947
BARTOK Bela Piano sonata (1926) 1956 list
Suite op.14 (1916) 1956 list
Studies for piano op.18 (1918) 1956 list
BATE Stanley * Concerto Grosso for piano and string orchestra (1952) 1956 list f.p., f.Am.p. Stanley Bate; f.broad.p., f.Brit.p. Eric Hope
BENJAMIN Arthur Pastorale, Arioso and Finale for piano (1936) 1956 list
BLISS Arthur Sonata (1952) 1956 list
BUSH Alan * Prelude and fugue for piano op.9 (1927) 1956 list f.p., f.Eur.p. Alan Bush 1927
CASELLA Alfredo Scarlattiana op.44 (1926) 1956 list
CHABRIER Emmanuel Scherzo and Waltz 1951 list possibly broadcast on Radio Geneva 15 Nov 1961
CIRY Michel Concerto for piano, 16 wind instruments and percussion (1948) 1956 list f.p. M. Bergmann 19 Oct 1957
Preludes 1er Cahier dedicated to MK July 1955 score dedication on score
DALLAPICCOLA Luigi Sonatina Canonica on Caprices of Niccolo Paganini (1943) 1956 list
DUSSEK Jan Ladislav Sonatas CK played at home
EGGE Klaus Piano concerto no.2, op.21 (1948) 1956 list (handwritten) no markings in score; "M Kitchin 1956" on cover
ESCOT Pozzi Differences group 2 (1963) score
FORTNER Wolfgang Mouvements for piano and orchestra – ballet (1953) 1956 list f.p. Essen Feb 1960, pianist not stated (Schott)
GINASTERA Alberto Piano Sonata no.1 op.22 (1952) 1956 list
HAIEFF Alexis Piano concerto (1949-50) 1956 list no markings in score (2-piano reduction)
Five pieces for piano (1948) 1956 list no markings in score
HENZE Hans Werner Concerto per il Marigny for piano and seven instruments (1956, withdrawn) 1956 list f.p. Yvonne Loriod, Paris 10 Mar 1956
HINDEMITH Paul Piano sonata no.1 (1936) score
HUSA Karel * Sonata [no. 1 (1952)] 1956 list
LISZT Un Sospiro 1951 list, score, CK played at home
LUTYENS Elisabeth Symphonies for solo piano, wind, harps and percussion op.46 (1961) score f.p. Wolpe, Proms 1961
* Five Intermezzi for piano op.9 (1942) 1956 list, 1951 list, score f.p., f.broad.p. Lisa Fuchsova 1946, 1947
MARTIN Frank Preludes 1956 list
MARTINŮ Bohuslav * Sinfonietta Giocosa for piano and chamber orchestra (1940) 1956 list f.p. Germaine Leroux, New York 16 Mar 1942; f.Eur.p. 1950 Lisa Fuchsova, BBC broadcast
MENDLESSOHN Felix Rondo Capriccioso op.14 CK played at home
MESSIAEN Olivier Cinq Preludes [? from 8 Preludes (1929)] 1956 list
MOESCHINGER Albert * Sonatine op.66 (1944) 1956 list, 1951 list, score f.p. Suzanne Eggli, Bern 19 Jan 1945
MOORE Timothy Three two-part inventions for piano (1950) 1951 list
RAWSTHORNE Alan * Concerto [no.1] for piano, percussion and string orchestra (1939, rev.1942) 1956 list f.p. Adolph Harris 1939; f.p. (rev) Louis Kentner 1942; f.Eur.p. Moura Lympany, Paris Feb 1945
REIZENSTEIN Franz * Concerto [no.1, op. 16 (1941)] 1956 list f.p., f.broad.p. Reizenstein 1942, 1950
ROUSSEL Albert Suite in F# minor op.14 (1910) – movts 1,2 1951 list, score a few markings in no.2 only
SCHIBLER Armin * Concertino [unspecified] 1956 list
SEARLE Humphrey * Piano concerto no.2 op.27 (1955) 1956 list f.p., f.Lon.p. (Proms) Clive Lythgoe 1955, 1956
Piano sonata op.21 (1951) 1956 list f.p. not by MK
SHIMMIN Peggy 2 songs of Blake (1957) dedicated to Sophie Wyss and MK score dedication on score; probably BBC with Sophie Wyss
SKALKOTTAS Nikos Andante sostenuto for piano and small orchestra (from piano concerto no.3) (1938-39) 1956 list
Piano Suite [unspecified] 1956 list
Passacaglia (from "32 Piano Pieces") (1940-41) 1956 list
STAEMPFLI Edward (1908-2002) * Suite [Kleine Suite (1945) or Petite Suite (1932)?] 1956 list, 1951 list
STOCKHAUSEN Karlheinz Klavierstück I (1952) score
SZYMANOWSKI Karol Mazurkas 1951 list
TIPPETT Michael Piano Concerto (1955) 1956 list f.p., f.Lon.p. Louis Kentner 30 Oct 1956, 3 Nov 1956; score published 1957
VALEN Fartein Prelude and Fugue op.28 (1937) score, Radio Times in programme for 25 May 1958 with Varten op.23 & op.36 but probably not broadcast
Gavotte and Musette op.24 (pub.1948) score, Radio Times in programme for 25 May 1958 with Varten op.23 & op.36 but probably not broadcast
VOGEL Wladimir "Natur Vivante" Quattro morceaux poétique pour piano (1917-22) dedicated to Margaret and Howard on their marriage 25 April 1951 score dedication on manuscript

Undetermined repertoire from the Bern Gattiker concerts

We are unable to deduce which pianist played which works in these two concerts
FORNEROD Aloÿse Deux petites pièces pour piano op.14 (1927) Bern 4 June 1942
played by MK or Leni Züllig

with Theo Hug (violin), Karl Georg von Arx or Albert Nicolet (cello)

"Werke westschweizerischer Komponisten"

Sonata for violin and piano op.11 (1925)
Sonata for cello and piano op.24 (1934)
REICHEL Bernard Deux danses pour piano
MOTTU Alexandre Danses et contredanses pour piano (selection) (1937)
BLUM Robert Trio for piano, violin und cello (1943) Bern 12 Oct 1945 played by MK or Walter Nydegger

with Katharina Marti (alto), Hansheinz Schneeberger (violin), Paul Habegger (viola), Rolf Looser (cello)

BROM Mordechai Sonatensatz for violin und piano
LOOSER Rolf "Air en forme de sarabande" for alto und piano
"Jetzt reifen schon die roten Berberitzen" (Rilke) for alto and piano (1945)
GELBRUN Arthur Sonatine for piano (1945; dedicated to Willy Burkhard)
Berceuse for alto and piano (Simon Pache; 1945)
KUHN Max Präludium for piano
Lieder for alto und piano: "Der Einsame", "Von den gerechten Dingen", "Lied der Drehorgelfrau"
* indicated on the 1956 repertoire list as being a first performance or first broadcast performance. Some have documented first performances or first broadcast performances by other pianists, but Margaret may have given the first performance in another country.
1956 list Repertoire of contemporary concertos and solo piano works, presumably created for Margaret's agent. It seems unlikely that all these works were performed, or at least not by the inferred date of the list. For works that also appear on the 1951 list there is a stronger presumption of performance.
  1951 list Handwritten list in score of Roussel suite, date inferred
  score Score with markings by Margaret or a dedication. No firm inference can be made from the lack of annotated performances because some other works performed by Margaret lack such annotations.